Hair: That Signature Sleekness
If you know, you know—hair is everything in the Clean Girl aesthetic. It’s gotta be effortlessly perfect, never forced. Sound familiar? That’s exactly what Thomas Mann nailed with his iconic side part.
💡 Mann-Approved Haircare Hack: A touch of lightweight gel or wax for a soft hold with just the right amount of shine. If you’re looking for a hairstyle that screams timeless elegance, look no further. A classic deep side part is the ultimate Clean Girl power move.
Fashion: Minimalism, But Make It Luxe
Thomas Mann understood a key principle of Clean Girl fashion: invest in high-quality basics. No fuss, no over-the-top styling—just timeless, effortless elegance.
🛍 Your Thomas Mann-Inspired Capsule Wardrobe:
Lifestyle: The OG Self-Care Routine
Let’s be real: the Clean Girl lifestyle is all about routine—think hydration, movement, and mindful mornings. Turns out, Thomas Mann had this down long before it became an aesthetic. His diaries? Basically a masterclass in structured, intentional living.
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Morning Rituals, The Mann Way
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“Drank tea in the morning.” (Thomas Mann, Diary, 17.13.1939)
– Hydration is everything, babe.
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“Immediately shaved.” (Thomas Mann, Diary, 16.11.1937)
– Grooming = non-negotiable.
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“Went outside in the morning.” (Thomas Mann, Diary, 12.11.1938)
– Fresh air? Movement? Natural glow unlocked.
🏡 Mann’s Minimalist Home Inspo
Even his home was peak Clean Girl aesthetic: neutral tones, sleek architecture, and an obsession with natural materials like wood (seriously, his Pacific Palisades house is a clean girl's dream).
Thomas Mann: The Unexpected Clean Girl Icon
Discipline. Elegance. A perfectly curated life. Thomas Mann was the ultimate Clean Girl before Clean Girls even existed. Maybe it’s time we take inspo not just from his novels, but from his impeccable aesthetic, too.
So, are you ready to channel your inner Thomas Mann? #MannApproved
About the author
Marie Limbourg is a research associate at the Buddenbrookhaus – Heinrich and Thomas Mann Center in Lübeck and a doctoral candidate at Johannes Gutenberg University Mainz. Her dissertation focuses on the works and narrative techniques of Walter Kempowski. Previously, she worked as a consultant for committee and project management at the administrative office of the Rhine-Main Universities and as a coordinator for the Marbach Weimar Wolfenbüttel research network at the German Literature Archive in Marbach. She is part of the leadership team of the Young German Schiller Society and the Young Forum Thomas Mann (the junior division of the German Thomas Mann Society).
