‘He's coming around the corner’ – Thomas Mann, the dog lover

Essay

Preface
The following text deals exclusively with my dog Bauschan, which should be made clear to everyone in advance so that no one can later complain of disappointed expectations, but rather so that anyone who considers the preoccupation with such a trivial subject beneath their intellectual dignity may immediately put these pages aside without any irreplaceable loss of time. (GkFA 6.1, 11)

The same applies to this article as to the preface to Thomas Mann's story A Man and His Dog. It should be added, however, that this article is not only about Bauschan, but about all of Thomas Mann's dogs, insofar as anything is known about them.

With the short story A Man and His Dog, Thomas Mann presented himself not only privately but also publicly as a dog lover. His love for his four-legged friend is already evident in the opening scene, in which the author describes how Bauschan comes 'around the corner' and his entire behaviour, body language and expression are described in great detail. When Bauschan, the chicken dog, stands in front of his master,

[...] he begins, without making a sound – for he makes sparing use of his sonorous and expressive voice – to perform a confused greeting dance around me, consisting of trampling, excessive wagging, which is not limited to the tail, the designated means of expression for this purpose, but affects the entire hindquarters up to the ribs, as well as a curling contraction of his body, rapid, whirling leaps into the air, and spins around his own axis – performances which, strangely enough, he tries to hide from my gaze by always moving the scene to the opposite side, no matter how I turn. (GkFA 6.1, 14)

The dog walk that is about to take place here was also an integral part of Thomas Mann's everyday life. Again and again, one finds entries in his diaries such as the following: "An hour and a half walk to the Föhringer Bridge with Bauschan, who was wearing his new collar." (Diaries, 21 November 1918)

Walking the dog was an important part of the writer's rhythmic daily routine. Bauschan even became so famous through the story A Man and His Dog that another dog named Jack wrote to him. Unfortunately, Thomas Mann had to inform the dog that Bauschan had already passed away at that point. (cf. GkFA 15.1, 501)

But who came before and after Bauschan? How many dogs did Thomas Mann actually have in total?
This is not so easy to find out, as it is well known that Thomas Mann's diaries do not cover all years, and even the Thomas Mann Handbook has no entry on the writer's dogs. If you ask the artificial intelligence ChatGPT, you get a fictitious answer. Supposedly, Thomas Mann had four dogs and a dachshund named ‘Pip’. Unfortunately, both of these statements are incorrect. The only correct piece of information here was that dogs played a certain role in his everyday life.

At least one can find a picture of dachshunds in the Thomas Mann Archive's e-pics image database. However, there is no reliable evidence that the "dachshunds on the beach" were Thomas Mann's dogs. Overall, Thomas Mann preferred large, male dogs.

'Dachshunds on the beach' or 'Four dachshunds in the sand', Nida?, ca. 1931

ETH Library Zurich, Thomas Mann Archive / Photographer: Unknown / TMA_AL3_6212_6

 

If you search for dogs in general in the ETH's e-pics, all kinds of anonymous animal faces appear among the familiar ones.

What can be said for certain, however, is that Thomas Mann had a four-legged companion by his side throughout his life. Not all of them, however, had the necessary character to stay there for the long term ...

Through extensive diary and image research, it has been possible to establish the following chronology of Thomas Mann's dogs:

1895/97

Titino, a small Italian dog. From Heinrich Mann's autobiography An era is being observed, it is known that Thomas Mann already owned a dog when he was in Italy with Heinrich Mann and wrote Buddenbrooks:

"He never left his little dog at home. 'Are we really going alone?' he would ask when Titino was not there. We had found him on a haystack. His behaviour in all situations, the expressions of his little instincts, the same as ours, only more uninhibited, comforted him and taught him lessons. Titino, the realist, was a lively corrective when his master's young mind threatened to darken." (Heinrich Mann, An era is being observed, 1946)

From 1909 at the latest until before 1918

Motz, a collie (immortalised as the literary dog 'Percy' in Royal Highness)
In the novel Royal Highness, the dog Percy is described as having a wild temperament:

Approaching the dog, whose name was Perceval (pronounced in English) and who was usually called Percy, this animal was of such excitability, such passion of character, that it defied description. Inside the hotel, he gave no cause for complaint, but lay in elegant poses on a small carpet in front of the Spoelmann chambers. But every time he went outside, he suffered fits of recklessness that caused general commotion and consternation, and more than once actually disrupted traffic. (GkFA 4.1, 208)

The first photograph of a dog in the Thomas Mann Archive dates back to 1905 and was taken near Dresden. It is entitled Training the Dog. However, the name of the dog is not mentioned here. Could this have been Motz? And is the dog listening to its master here? Unfortunately, both questions must remain unanswered.

ETH Library Zurich, Thomas Mann Archive / Photographer: Unknown / TMA_0038

Until 1920

Bauschan, German chicken dog, was portrayed in the novel A Man and His Dog. This can also be traced in the diary: "Wrote a generous page on Bauschan. Long walk with the model." (Diaries, 10 October 18)

From 1920 to at least 1932

Lux or Luchs, German Shepherd. The acquisition of the dog is described in the diary entry of 23 March 1920: "Purchased a new dog named Lux for 750 M from the police sergeant who recently offered his services as an intermediary. Small sheepdog, docile, good-natured and alert, it seems." But did he also have enough strength of character for his demanding owner Thomas Mann? A diary entry from 3 April 1920 raises doubts: "The new little dog Luchs is docile to the point of having no character." Nevertheless, Lux remained at Thomas Mann's side for many years.

Thomas Mann with his dog Lux, Munich, 1932.

ETH Library Zurich, Thomas Mann Archive / Photographer: Unknown / TMA_5227

The 1920s to 1936

Alongside Lux and, at times, Toby, there was another small white family dog, a Maltese named Muschi. The family letters reveal that Muschi was "gently put to sleep" in 1936 and that "stupid Toby [...] was now the sole ruler" (Katia Mann to Klaus Mann, 1 February 1936; in: Die Briefe der Manns, ed. by Tilmann Lahme et al., S. Fischer 2016, p. 148)

The dog on the left is presumably Muschi, while the sheepdog Lux can be seen on the right, Munich, 1927

ETH Library Zurich, Thomas Mann Archive / Photographer: Unknown / TMA_AL3_6174_1

From 1934

Toby, terrier. At first, Toby was welcomed into the family, as can be seen here in the diary entry from 25 December 1934:

"The dog arrived, a beautiful animal, still very confused and shy. We took him for a walk in the woods at noon." However, Toby was given away in 1938 due to bad behaviour. This was already foreshadowed in a diary entry from 1937: "Toby bit a woman again in front of the girls and will probably have to be put down." (Diaries, 30 August 1937)

1939

Jimmy, breed no longer identifiable, was only lucky enough to be at Thomas Mann's side for a very short time. The diary entry for 30 May 1939 reads: "Took K. and the growing Jimmy for a walk." Accompanied by the sad comment: "Jimmy: a small house dog, later run over, predecessor of the poodle Nico."

1939 to 1950

Niko, a black poodle who initially had a different name: "Found Miss Caroline at home with a poodle named Gueulard, which she gave me as a gift. A silent, shy, noble animal." (Diaries, 28 October 1939) Thomas Mann was apparently particularly fond of this animal, as the following diary entry shows: "Longing to see Niko again, whom I even dreamed about at night." (Diaries, 28 February 1940) However, Niko seems to have had a tendency to cause mishaps: "Niko causes a short circuit by pulling down the night lamp to his horror. – Other mishaps with the curtains in the bedroom." (Diaries, 30 June 1946) Niko also apparently had a strong urge for freedom, much to his master's annoyance, and one day he ran away: "No sign of Niko. [...] Went far down Amalfi Drive without Niko." (Diaries, 10 January 1950) Thomas Mann then considered getting a female poodle: "Yesterday, exchanged telegrams with Caroline N. about a successor. Can't bring myself to like the recommended female poodle." (Diaries, 28 January 1950) So the plan was scrapped again.

Poodle Niko in a confidential moment with Thomas Mann's daughter Erika, presumably in Pacific Palisades, ca. 1948.

ETH Library Zurich, Thomas Mann Archive / Photographer: Unknown / TMA_AL29_6130

From 1950

Alger, the poodle who failed the character test. From the diary entry of 28 January 1951: "The neurotic poodle, impossible in character, who is to be given away and will probably go to Krishna Murti, crept shyly into my study in the afternoon, laid his head and paw on me, and we had a long, sad conversation."

From 1953 to 1954

Boris, a German shepherd, was actually the dog of Thomas Mann's youngest son, Michael Mann. However, Thomas Mann became a temporary 'dog sitter': "Boris is a good, pleasant and grateful animal who quickly bonds with people. He feels comfortable on his blankets down by the front door, where he now spends the night." (Diaries, 27 August 1953). In September 1954, Michael Mann takes the dog back and Thomas Mann says goodbye to his temporary companion: "Bibi [...] takes Boris with her, who indeed could not be kept here during the winter. Farewell to the familiar animal with a kiss on his head. Good, he is going to the boys." (Diaries, 16 September 1954)

1955

Niko, a black poodle, was a gift to Katia and Thomas Mann on their golden wedding anniversary. Thomas Mann describes in his diary on 11 February 1955 how Niko came into the family:

"At breakfast, the three children festively brought in their gift, the new Niko, a two-year-old, very pretty black poodle. He had a poem by Erika on his back. He is well-behaved and clever, plays with a ball, loves meat and chocolate. [..] Heartfelt joy at the return of our animal companion."

Thomas and Katia Mann with the successor to Niko, Thomas Mann's last four-legged companion, Princeton, 1939.

ETH Library Zurich, Thomas Mann Archive / Photographer: Unknown / TMA_5253

Niko seems to have given Thomas Mann many happy walks in the last year of his life. Mann was also happy with the character. The diary records that the poodle was 'funny and well-behaved' (Diaries, 4 March 1955), and nowhere is there a critical word about the lively animal. So it was a good last year with a dog for Thomas Mann.

The fact that Thomas Mann did not want to be without a dog throughout his life perhaps reveals more about the writer than many interpretations of his work: the need for a companion who shared his strictly regimented daily routine without disturbing it – and who offered the only company with which Mann could be sure of not being drawn into conversation.

About the author

Barbara Eschenburg studied German and art education as well as the ethics of text cultures and wrote her doctoral thesis on Thomas Mann's concept of humanity in the context of Russian literature. Since 2015, she has been working as a research assistant for the Buddenbrookhaus Lübeck.